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(addresses of oily institutions handily included)
We have a new run of postcards available, on 100% recycled card courtesy of our lovely friends at
Calverts in east London.
On one side you have Twinkletoes' terrific (we think) image, and on the other a
short blurb about
Art Not Oil (asking for contributions to our online
galleries), with plenty of room for you to ink in your
poetic
pontifications and send them to your nears, dears or oily institutions
(see below), old-school style.
Send us an address and an amount, and
we'll send 'em to you.
If you're feeling helpful, send an SAE to us at
c/o LARC, 62 Fieldgate Street, London E1 1ES.
Thanks and keep creating to resist,
Art Not Oil - 'for creativity, climate justice and an end to oil industry sponsorship of the arts'
PS. Is your pen hovering over your new postcard, unsure who to write
to?
Maybe get started by dropping a friendly line to one of the oily
cultural institutions
listed below the diving albatross, to let them
know how you feel about the oil industry
sponsorship thats making
their corridors a little too slippery for comfort
Make sure you ask for a response to your concerns,
(and let us know - if you dont mind - if you receive anything interesting).
OILY INSTITUTIONS WAITING EAGERLY TO HEAR YOUR OPINIONS:
National Portrait Gallery (Portrait Award sponsored by BP)
Sandy Nairne, Director, NPG, St. Martin's Place, London WC2H 0HE
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Tel: 020 7312 2463
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Tate Britain
(British Art Displays 1500-2008 sponsored by BP,
which also supports regular kids days at the gallery)
Nicholas Serota, Director, Tate Galleries, Millbank, London SW1P 4RG;
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cc. to Dr Stephen Deuchar, Director, Tate Britain, Millbank, London SW1P 4RG;
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cc.
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Tel: 020 7887 8888;
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Science Museum
(BP & Shell both currently major sponsors, as are
GlaxoSmithKline & HSBC [not exactly preferable to Big Oil!])
Prof. Chris Rapley, Director, SM, Exhibition Road, London SW7 2DD.
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, cc.
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Tel: 0870 870 4868
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Barbican
(host of the London link-up to this years Shell AGM)
Sir Nicholas Kenyon, Managing Director, Barbican Centre, Silk Street ,London EC2Y 8DS
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, cc.
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Tel: 020 7638 4141
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Natural History Museum
(Shell is no longer sponsor of the Wildlife Photographer of the Year
exhibition,
but it still donates over £25,000pa, as does BP.
Other
supporters include British Airways & RioTinto. Current Prime
Minister-appointed NHM Trustees include Louise Charlton of Brunswick
Group,
the public relations firm contracted in 2004 by Shell to carry
out damage limitation
in the wake of its reserves-reporting scandal.
Sir William Castell, non-executive director of BP, retired as NHM
Trustee early in 2008.)
Michael Dixon, Director, NHM, Cromwell Road, London SW7 5BD
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and/or email via here
Tel: 020 7942 5000
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Royal Opera House
(The upper echelon of ROH funders, known as the Chairman's Circle,
includes BP & Rio Tinto.
BP funds the Summer Screens programme of
video link-ups across the UK)
Tony Hall, Chief Executive, Bow Street, Covent Garden, London WC2E 9DD
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Tel: 020 7240 1200
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British Museum
(BP is a current Global Partner, and sponsor of major exhibitions)
Neil MacGregor, Director, BM, Great Russell Street, London WC1B 3DG
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,
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Tel: 020 7323 8000/8299
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National Gallery
(Shell is a regular sponsor of major exhibitions, and Trustee Lord Kerr
of Kinlochard is currently Deputy Chairman of Royal Dutch Shell and
Chairman of the Court and Council of Imperial College, which supplies
more graduates to the oil industry than almost any other college.
Exxon
is also a recent sponsor.)
Dr. Nicholas Penny, Director, NG, Trafalgar Square, London WC2N 5DN
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, cc.
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Tel: 020 7747 2885
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National Maritime Museum
(Supported by BP Shipping Ltd and Shell International Trading and
Shipping.
NMM Trustee Jan Kopernicki is Vice-President of Shipping for
the
Shell International Trading and Shipping Company. )
Kevin Fewster, Director, NMM, Greenwich, London SE10 9NF
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,
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Tel: 020 8858 4422
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National Theatre
(As a Premiere Partner, Shell UK Ltd gets anonymity about its perks.
As a Premium Member, BP gets this: Our most prestigious and flexible
membership level, offering a generous range of entertaining
opportunities.
The key benefit is a 100-person evening sponsorship
event, offering
branding to reach both your guests and the wider NT
audience.
Other benefits include an invitation to our annual Chairman's
Dinner,
a 40-person private event, two opportunities for complimentary
NT space hire and an allocation of tickets, backstage tours and
Platform performances.
As a Platinum Member, American Airlines get this:
This highly flexible
membership level focuses on private hospitality,
offering 40 best
tickets with private dining. Other benefits include an
exclusive event
for 30 guests, two special Platinum evenings with a
chance to meet the
cast, an invitation to our annual Chairman's Dinner,
an opportunity for
complimentary NT space hire and an allocation
of tickets, backstage
tours and Platform performances.
As a Team Builder Member, The Royal Bank of Scotland plc
(known as the
Oil Bank of Scotland for its peerlessly energetic
sourcing of funds
for new oil and gas projects;
http://www.royalbankofscotland.com) gets
this:
This is a flexible, innovative corporate membership package
focusing entirely on benefits that can be offered to employees,
including a private party, an allocation of free tickets, backstage
tours,
Platform performances and a discount on our actor-led training
courses.
Gold Member Tesco plc gets this: Six exclusive Gold members' evenings
per year are the key benefit of this level. Each evening includes
tickets,
drinks and a supper reception, as well as the chance to meet
the cast
after the play. Other benefits include an allocation of free
tickets, private
dining packages, backstage tours and Platform
performances.)
Nicholas Hytner, NT, South Bank, London SE1 9PX
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, cc.
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Tel: 020 7452 3400
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So there you have it. More information that you probably ever needed,
but possibly a revealing snapshot of a cultural sector that has yet to
walk the talk when it comes to climate change and sustainability. It
may
be a victim to some degree of the privatisation of public art and
the
diversion of government revenues into catastrophic wars for the
control of dwindling energy resources, but might it be past time
expect
even a whimper of protest from these institutions? Or are
they too deeply embedded in a status quo that
is unable to
countenance the possibility of the loss of its own
privilege?
Hmm, answers on a postcard please
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