| British Museum ejects BP (on Shakespearian recommendation)! |
| Monday, 23 July 2012 11:52 | |||
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Today (22.7.12), twelve members of the 'Reclaim Shakespeare Company' staged an unexpected protest performance inside the 'Shakespeare: Staging the World' exhibition at the British Museum. At 3.30pm, a dozen members of the “Reclaim Shakespeare Company” theatrical action group launched a surprise piece of protest performance inside the British Museum. They performed a short Shakespeare-inspired piece which criticised the British Museum, the World Shakespeare Festival and the London Olympics over their decision to accept sponsorship from BP in the wake of the Deepwater Horizon drilling disaster and the company’s decision to start extracting highly polluting and destructive tar sands oil in Canada. The pop-up performance took place in the Reading Room, surrounded by artefacts linked to Shakespeare’s life and works. Visitors to the BP-sponsored exhibition were treated to a 4-minute guerrilla performance based loosely on Macbeth, in which three BP “executive witches” lure a naive museum director to his doom. The performance was interrupted by an ‘angry customer’ who seemed to be criticising the performance but then turned out to be a protester in disguise, and who finished with the words: “No more o’this, BP, no more / You mar all with your logo / Here’s the smell of oil still / All these shiny exhibits will not sweeten this soiled hand. Oh, oh, oh! / Out, damned sponsor! Out, BP!” These final words were greeted with laughter and applause by museum-goers. The full script can be seen below.
The performer asked the watching crowd to rip the BP logo from their exhibition programmes. At this point, security guards moved in to break the performance up but the troupe continued to perform as they were then escorted from the Museum foyer in front of hundreds of museum-goers. The security guards were even incorporated into the performance, with the protesters congratulating them loudly for removing the BP executives from the building. The performance was then repeated outside the Museum for passers-by. This was the fifth such intervention by the Reclaim Shakespeare Company, the first two having taken place on the Royal Shakespeare Theatre stage in Stratford-upon-Avon], the third at the Roundhouse Theatre and the fourth at the Riverside Studio before a performance of Romeo and Juliet in Baghdad. Meanwhile Mark Rylance, one of the UK’s leading actors, has expressed his concerns about BP’s sponsorship of the Olympics and the Cultural Olympiad (of which the World Shakespeare Festival is part) on Radio 4’s Today Programme and the BBC’s Andrew Marr Show.
BP’s sponsorship of the World Shakespeare Festival – which includes the British Museum exhibition – is part of a massive sponsorship deal for the Olympics, which also includes being Oil & Gas Partner and Sustainability Partner to the Games themselves. This sponsorship has already triggered a wave of criticism, including the ‘Greenwash Gold’ awards for worst Olympics sponsor, which culminated on Friday with a stunt in Trafalgar Square in which seven people were arrested for “criminal damage” for spilling green custard on the ground. Philippa de Boissiere, who played one of the BP executives in the guerrilla Shakespeare performance, said: “I have been to Canada and seen the devastating effects of tar sands oil extraction on the environment and Indigenous communities. BP is cynically splashing money all over our arts, culture and sporting institutions to try to fool the public into believing it’s a socially responsible company. It’s nothing of the sort, as shown by its decision to go into the tar sands and its failure to clean up after the Gulf of Mexico spill.” Danny Chivers, who played the role of the museum director, said “The British Museum has a history of taking BP’s cash and thus helping to hide the company’s terrible environmental and human rights record behind a veneer of respectability. BP brazenly admits in its most recent Annual Report that its current business plan is based on a future of disastrous runaway climate change. The company is trying to draw attention away from its catastrophic fossil-fuelled energy plans by sponsoring the Olympics and the World Shakespeare Festival. We’re here to stop BP from using our beloved bard as a mask for its misdeeds.” You can also find the campaign on Facebook: ‘BP or not BP?’ and Twitter: @ReclaimOurBard The Reclaim Shakespeare Company is supported by the UK Tar Sands Network.
Full text of the script belowThe British Museum: A Tale of CorruptionDramatis Personae First BP Executive Second BP Executive Third BP Executive Angry Customer Chorus of Exhibition Viewers The Scene: The Round Reading Room Chanting begins from somewhere. Soon a few more voices join in, quietly and relatively unobtrusively. Double, double: oil and trouble, Three BP Executives are circulating/circling the room. As they begin to speak, they join together in the centre and the chanting stops. First BP Executive When shall BP meet again Second BP Executive When the sponsorship is done, Third BP Executive That will be ere: 2012. First BP Executive Where the place? Second BP Executive The British Museum. Third BP Executive Here to meet with… ALL BP Executives Our good friend, the Museum Director! Oily ambassador, artefact collector First BP Executive To help us banish remembrance of crude-oiled-turtles! Second BP Executive Pelican coughs! Third BP Executive 11 Deepwater workers’ lives First BP Executive -snuffed! Second BP Executive -out! Third BP Executive -in a flash! ALL BP Executives A drum, a drum! The museum doth come! Enter Museum Director, elegant, cultured, calm. All BP Executives All hail, Museum! Hail to thee, thane of Great Russell Street! Director: I bid you welcome, corporate queens and kings Come throw your parties ‘mongst our priceless things! As the BP Executives proceed with their chant, they begin to surround the Director, covering him in BP stickers. First BP Executive Round about the globe we go; Fish lie dead, nothing survives While back in London our brand thrives ALL BP Executives Double, double: oil and trouble, Second BP Executive Mountains of our filthy cash In bank accounts: an awesome stash; Greenhouse gas, a Gulf in grief, We’re always lurking there, beneath. Dodgy dealings give us pounds Towards the champagne/caviar rounds. ALL BP Executives Double, double: oil and trouble, Other chorus members, placed at different parts of the room, begin to join in the BP Executives chant. BP Executives and chorus members (repeats) Double, double: oil and trouble, During the chant the Director becomes fully lured and joins in. An ANGRY CUSTOMER strides into the middle of the theatre troupe. Customer: Look, do you mind? We’ve paid a lot of money to see this exhibition and this isn’t what we came here to see! This is completely inappropriate. How dare you do this? The Customer turns to the Museum Director How dare you, the British Museum, accept sponsorship from BP? You’re letting this filthy company position itself as a respectable supporter of the arts and the Olympics when it’s destroying the very planet that made all this cultural heritage possible! Canst we not do better than this? There’s something rotten in the state of Albion! Customer takes Director’s hands out of pockets to reveal they are now stained with oil. What, will those hands ne’er be clean? No more o’this, BP, no more. You mar all with your logo. Here’s the smell of oil still. All these shiny exhibits will not sweeten this soiled hand. Oh, oh, oh! Out, damned sponsor! Out, BP! (BP execs cringe: ‘No! No!’) Pause. All the performers bow. Applause. The “Museum Director” steps forward and says: We are the Reclaim Shakespeare Company. We hope you will continue to enjoy this fascinating exhibition celebrating the life of one of the greatest playwrights that ever lived, but we invite you to remove BP from your experience by tearing the logo from your programme The performer demonstrates the tearing of the programme Please join with us now in removing these BP executives from the building. The Entire Company proceeds to leave the exhibition, escorting disgruntled but defeated Execs, and resuming the chant: Entire Company Double, double: oil is trouble, FINIS
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